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A mutiny or a plea for independence

As discussions continue, Farrukh Dhondy remembers writing a script for Ketan Mehta - Rani of Jhansi, which was hijacked of cou...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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A Life in Translation: Gita Krishnankutty

Gita Krishnankutty is a name inextricably intertwined with the history of Malayalam translations into English, writes Janaky Sreedharan...

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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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Signs of the time: The trauma generation

Humra Quraishi looks into reports, that are available, to find out about the fears and anxieti...

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Being Rita Hayworth (October 17 1918 to May 14 1987)

How Rita Hayworth has motivated him to write noir and how he cannot completely discard Oedipal undertones in hi...

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Her Bollywood

Anubha Yadav’s book Scripting Bollywood: Candid Conversations with Women Who Write Hindi Cinema, lights up a neglected space in film...

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The son never sets

Khalid Mohamed reviews the book Blaze: A Son’s Trial by Fire, a heart-wrenching true story written by Nidhi and Sushil P...

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Manners Matter

Khalid Mohamed writes on the movie star personalities, who are born to perfect manners, a rare phenomenon in these days of pub...

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Manners Matter

Khalid Mohamed writes on the movie star personalities, who are born to perfect manners, a rare phenomenon in these days of pub...

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